Conference Program
Download a PDF copy of the Program Guide.
8:00-9:00
9:00-10:00
10:00-11:00
11:00-12:00
12:00-13:00
13:00-14:00
14:00-15:00
15:00-16:00
16:00-17:00
17:00-18:00
18:00-19:00
19:00-20:00
20:00-22:00
Tuesday (October 27)
Registration (8:15)
Poster Madness
Poster Session (PS1)
with Lunch Box
with Lunch Box
Poster Madness
Poster Session (PS2)
with Coffee
with Coffee
Wednesday (October 28)
Registration (8:35)
Poster Madness
Poster Session (PS3)
with Lunch Box
with Lunch Box
MIREX Panel Discussion
MIREX Poster Session
with Coffee
with Coffee
Friday
(October 30)
(October 30)
Registration (8:35)
Monday (October 26, 2009)
10:00-13:00 Tutorials AM
14:30-17:30 Tutorials PM
Tuesday (October 27, 2009)
09:00-09:20 Opening Remarks
09:20-10:20 Keynote Talk
Chair: Ichiro Fujinaga (McGill University, Canada)
10:50-12:30 Oral Session (OS1)
Session Title: Knowledge on the Web
Session Chair: Malcolm Slaney (Yahoo! Research Inc., USA)
Session Title: Performance Recognition
Session Chair: Simon Dixon (Queen Mary University of London, UK)
12:30-12:41 Poster Madness
12:41-14:30 Poster Session (PS1)
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(PS1-1) An Analysis of ISMIR Proceedings: Patterns of Authorship, Topic, and Citation
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(PS1-2) The ISMIR Cloud: A Decade of ISMIR Conferences at Your Fingertips
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(PS1-3) Towards Automated Extraction of Tempo Parameters from Expressive Music Recordings
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(PS1-4) Probabilistic Segmentation and Labeling of Ethnomusicological Field Recordings
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(PS1-5) A Music Classification Method based on Timbral Features
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(PS1-6) A Periodicity-based Theory for Harmony Perception and Scales
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(PS1-7) Automatic Generation of Musical Instrument Detector by Using Evolutionary Learning Method
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(PS1-8) Rhythmic Similarity in Traditional Turkish Music
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(PS1-9) Pitched Instrument Onset Detection based on Auditory Spectra
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(PS1-10) Shades of Music: Letting Users Discover Sub-Song Similarities
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(PS1-11) A Comparison of Score-Level Fusion Rules for Onset Detection in Music Signals
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(PS1-12) Lyric-based Song Emotion Detection with Affective Lexicon and Fuzzy Clustering Method
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(PS1-13) Browsing Music Recommendation Networks
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(PS1-14) Full-Automatic DJ Mixing System with Optimal Tempo Adjustment based on Measurement Function of User Discomfort
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(PS1-15) Fingering Watermarking in Symbolic Digital Scores
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(PS1-16) Improving Musical Concept Detection by Ordinal Regression and Context Fusion
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(PS1-17) Template-based Chord Recognition : Influence of the Chord Types
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(PS1-18) Tag-Aware Spectral Clustering of Music Items
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(PS1-19) Multiple F0 Estimation in the Transform Domain
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(PS1-20) Motive Identification in 22 Folksong Corpora Using Dynamic Time Warping and Self Organizing Maps
14:30-15:30 Oral Session (OS2)
Session Title: Tempo and Rhythm
Session Chair: Anssi Klapuri (Tampere University of Technology, Finland)
15:30-15:41 Poster Madness
15:41-17:00 Poster Session (PS2)
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(PS2-1) Adaptive Multimodal Exploration of Music Collections
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(PS2-2) Singing Pitch Extraction from Monaural Polyphonic Songs by Contextual Audio Modeling and Singing Harmonic Enhancement
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(PS2-3) Usability Evaluation of Visualization Interfaces for Content-based Music Retrieval Systems
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(PS2-4) Music Paste: Concatenating Music Clips based on Chroma and Rhythm Features
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(PS2-5) Musical Bass-Line Pattern Clustering and Its Application to Audio Genre Classification
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(PS2-6) Unsupervised Detection of Cover Song Sets: Accuracy Improvement and Original Identification
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(PS2-7) Using Musical Structure to Enhance Automatic Chord Transcription
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(PS2-8) Visualising Musical Structure Through Performance Gesture
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(PS2-9) From Low-Level to Song-Level Percussion Descriptors of Polyphonic Music
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(PS2-10) Music Genre Classification Using Locality Preserving Non-Negative Tensor Factorization and Sparse Representations
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(PS2-11) A Quantitative Evaluation of a Two Stage Retrieval Approach for a Melodic Query by Example System
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(PS2-12) A Web-based Approach to Determine the Origin of an Artist.
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(PS2-13) Chronicle: Representation of Complex Time Structures
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(PS2-14) Efficient Acoustic Feature Extraction for Music Information Retrieval Using Programmable Gate Arrays
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(PS2-15) Accelerating Query-by-Humming on GPU
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(PS2-16) Learning to Control a Reverberator Using Subjective Perceptual Descriptors
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(PS2-17) Interactive Gttm Analyzer
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(PS2-18) Estimating the Error Distribution of a Single Tap Sequence without Ground Truth
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(PS2-19) Using ACE XML 2.0 to Store and Share Feature, Instance and Class Data for Musical Classification
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(PS2-20) An Efficient Multi-Resolution Spectral Transform for Music Analysis
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(PS2-21) Evaluation of Multiple-F0 Estimation and Tracking Systems
17:00-18:00 Oral Session (OS3)
Session Title: Musical Instrument Recognition & Multipitch Detection
Session Chair: Juan Pablo Bello (New York University, USA)
18:00-20:00 Shakuhachi Concert & Reception
The Shakuhachi concert will take place in the International Conference Room and
the reception will take place
in the International Conference Room and the Reception Hall, directly following the concert.
See Social Program page for more information.
Wednesday (October 28, 2009)
09:00-10:20 Oral Session (OS4)
Session Title: Music Recommendation & Playlist Generation
Session Chair: Douglas Turnbull (Swarthmore College, USA)
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(OS4-1) Continuous pLSI and Smoothing Techniques for Hybrid Music Recommendation
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(OS4-2) Steerable Playlist Generation by Learning Song Similarity from Radio Station Playlists
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(OS4-3) Evaluating and Analysing Dynamic Playlist Generation Heuristics Using Radio Logs and Fuzzy Set Theory
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(OS4-4) Smarter than Genius? Human Evaluation of Music Recommender Systems
10:50-12:30 Oral Session (OS5)
Session Title: Tags
Session Chair: Paul Lamere (The Echo Nest, USA)
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(OS5-1) Tag Integrated Multi-Label Music Style Classification with Hypergraph
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(OS5-2) Easy As CBA: A Simple Probabilistic Model for Tagging Music
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(OS5-3) Using Artist Similarity to Propagate Semantic Information
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(OS5-4) Music Mood Representations from Social Tags
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(OS5-5) Evaluation of Algorithms Using Games: The Case of Music Tagging
12:30-12:41 Poster Madness
12:41-14:30 Poster Session (PS3)
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(PS3-1) Automatic Identification for Singing Style based on Sung Melodic Contour Characterized in Phase Plane
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(PS3-2) Automatic Identification of Instrument Classes in Polyphonic and Poly-Instrument Audio
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(PS3-3) Using Regression to Combine Data Sources for Semantic Music Discovery
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(PS3-4) Lyric Text Mining in Music Mood Classification
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(PS3-5) Robust and Fast Lyric Search based on Phonetic Confusion Matrix
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(PS3-6) Using Harmonic and Melodic Analyses to Automate the Initial Stages of Schenkerian Analysis
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(PS3-7) Hierarchical Sequential Memory for Music: A Cognitive Model
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(PS3-8) Additions and Improvements in the ACE 2.0 Music Classifier
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(PS3-9) A Probabilistic Topic Model for Unsupervised Learning of Musical Key-Profiles
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(PS3-10) Publishing Music Similarity Features on the Semantic Web
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(PS3-11) Genre Classification Using Bass-Related High-Level Features and Playing Styles
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(PS3-12) From Multi-Labeling to Multi-Domain-Labeling: A Novel Two-Dimensional Approach to Music Genre Classification
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(PS3-13) 21st Century Electronica: MIR Techniques for Classification and Performance
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(PS3-14) Relationships Between Lyrics and Melody in Popular Music
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(PS3-15) RhythMiXearch: Searching for Unknown Music by Mixing Known Music
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(PS3-16) Musical Structure Retrieval by Aligning Self-Similarity Matrices
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(PS3-17) Exploring African Tone Scales
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(PS3-18) A Discrete Filter Bank Approach to Audio to Score Matching for Polyphonic Music
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(PS3-19) Accelerating Non-Negative Matrix Factorization for Audio Source Separation on Multi-Core and Many-Core Architectures
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(PS3-20) Musical Models for Melody Alignment
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(PS3-21) Heterogeneous Embedding for Subjective Artist Similarity
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(PS3-22) The Intersection of Computational Analysis and Music Manuscripts: A New Model for Bach Source Studies of the 21st Century
14:30-15:30 MIREX Panel Discussion
15:30-17:00 MIREX Poster Session (with Coffee)
17:00-18:00 Oral Session (OS6)
Session Title: Similarity
Session Chair: Roger B. Dannenberg (Carnegie Mellon University, USA)
Thursday (October 29, 2009)
09:00-10:00 Keynote Talk
Chair: Nakadai Kazuhiro (Honda Research Institutes, Japan)
10:30-12:30 Oral Session (OS7)
Session Title: Harmonic & Melodic Similarity and Summarization
Session Chair: Emilia Gómez (Universitat Pompeu Fabra, Spain)
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(OS7-1) A Measure of Melodic Similarity based on a Graph Representation of the Music Structure
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(OS7-2) Modeling Harmonic Similarity Using a Generative Grammar of Tonal Harmony
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(OS7-3) Symbolic and Structural Representation of Melodic Expression
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(OS7-4) Use of Hidden Markov Models and Factored Language Models for Automatic Chord Recognition
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(OS7-5) Auditory Spectral Summarisation for Audio Signals with Musical Applications
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(OS7-6) Cover Song Retrieval: A Comparative Study of System Component Choices
12:30-12:41 Poster Madness
12:41-14:30 Poster Session (PS4)
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(PS4-1) Augmenting Text-based Music Retrieval with Audio Similarity: Advantages and Limitations
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(PS4-2) Improving Accuracy of Polyphonic Music-to-Score Alignment
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(PS4-3) Formalizing Invariances for Content-based Music Retrieval
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(PS4-4) Calculating Similarity of Folk Song Variants with Melody-based Features
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(PS4-5) Automatic Generation of Lead Sheets from Polyphonic Music Signals
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(PS4-6) Minimum Classification Error Training to Improve Isolated Chord Recognition
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(PS4-7) A Method for Visualizing the Pitch Content of Polyphonic Music Signals
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(PS4-8) Prediction of Multidimensional Emotional Ratings in Music from Audio Using Multivariate Regression Models
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(PS4-9) Optical Audio Reconstruction for Stereo Phonograph Records Using White Light Interferometry
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(PS4-10) Song Ranking based on Piracy in Peer-to-Peer Networks
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(PS4-11) Meter Class Profiles for Music Similarity and Retrieval
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(PS4-12) Sheet Music-Audio Identification
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(PS4-13) SMERS: Music Emotion Recognition Using Support Vector Regression
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(PS4-14) Music Mood and Theme Classification - a Hybrid Approach
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(PS4-15) Using XML-Formatted Scores in Real-Time Applications
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(PS4-16) Genre Classification Using Harmony Rules Induced from Automatic Chord Transcriptions
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(PS4-17) SongExplorer: A Tabletop Application for Exploring Large Collections of Songs
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(PS4-18) An Efficient Signal-Matching Approach to Melody Indexing and Search Using Continuous Pitch Contours and Wavelets
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(PS4-19) Tonal-Atonal Classification of Music Audio Using Diffusion Maps
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(PS4-20) Easy Does It: The Electro-Acoustic Music Analysis Toolbox
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(PS4-21) MIR in ENP - Rule-based Music Information Retrieval from Symbolic Music Notation
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(PS4-22) An Integrated Approach to Music Boundary Detection
14:30-15:30 Oral Session (OS8)
Session Title: Lyrics
Session Chair: Bryan Pardo (Northwestern University, USA)
15:45-17:15 Panel Discussion
17:30-18:30 General Meeting
The inaugural ISMIR General Meeting will be held in the International Conference Room.
The election results for the ISMIR Board of Directors will be announced.
Everyone is encouraged to attend this historical event.
19:30-22:00 Banquet
The conference banquet will be held at the Kobe Kachoen (the bird and flower park).
See Social Program page for more information.
Friday (October 30, 2009)
09:00-10:00 Special Session: 1st Workshop on the Future of MIR
The PDF files of the papers in this special session are available at
the f(MIR) official website.
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Welcome and Introduction to the f(MIR) workshop
Oral Session 1: MIR, where we are, where we are going
Session Chair: Amélie Anglade (Queen Mary, University of London), Program Chair of f(MIR)
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Meaningful Music Retrieval
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The Discipline Formerly Known As MIR
Oral Session 2: Potential future MIR applications
Session Chair: Jason Hockman (McGill University), Program Chair of f(MIR)
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Machine Listening to Percussion: Current Approaches and Future Directions
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MIR When All Recordings Are Gone: Recommending Live Music in Real-Time
Poster Session
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Global Access to Ethnic Music: The Next Big Challenge?
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The Future of Music IR: How Do You Know When a Problem Is Solved?
09:00-11:00 Late-Breaking / Demo Session (Non-peer-reviewed)
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(LBD-1) Encoding Music Incipits for Differentiating Works with the Same Metadata
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(LBD-2) RAMA: An Interactive Artist Network Visualization Tool
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(LBD-3) Lyricon -Visualization of Music Structure by Automatic Multiple Icon Selection-
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(LBD-4) MusCat: A Music Browser Featuring Abstract Picture and Zooming User Interface
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(LBD-5) A Two-Layer Approach for Multi-Track Segmentation of Symbolic Music
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(LBD-6) An Audience Steerable Automatic Music Director for Online Radio Broadcast
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(LBD-7) Toward Music Structure Annotation
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(LBD-8) Assessing the Results of a Cover Song Identification System with coverSSSSearch
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(LBD-9) Projection of Acoustic Features to Continuous Valence-Arousal Mood Labels via Regression
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(LBD-10) Bridging Music Information Retrieval and Folk Song Research - The Computational Setup of the WITCHCRAFT Project
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(LBD-11) Disc-JoQey: A Semi-Automatic Application to Segment and Tag Recordings from Vinyls
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(LBD-12) DJX: A Content-Based Recommendation System for Chinese Pop
Songs
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(LBD-13) Orchestral Accompaniment for a Reproducing Piano
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(LBD-14) A Music Retrieval System with Spelling Correction Technique
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(LBD-15) The Integration of a Metadata Generation Framework in a Music Annotation Workflow
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(LBD-16) RMIT MIRT Research Group Report 2009
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(LBD-17) Scalable Spatial Audio Browser
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(LBD-18) OMRAS2 Metadata Project 2009
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(LBD-19) Mood Cloud 2.0: Music Mood Browsing based on Social Networks
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(LBD-20) PHAROS: An Audiovisual Search Platform using Music Information Retrieval Techniques
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(LBD-21) MyMTV: A Personalized and Interactive Music Channel
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(LBD-22) QueryBag: Using Different Sources For Querying Large Music Collections
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(LBD-23) MIRtoolbox, Open-Source: Advanced Use, Architecture Description, Open-Source Project
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(LBD-24) Sourcetone: An Automated Music Emotion Recognition System